Holes Fails to Fill the Void

By Teddy Durgin

tedfilm@aol.com

Like last year's Tuck Everlasting, Holes is a story that I'm sure works MUCH better as a novel than as a movie. How do I know this having not read the Louis Sachar book the new flick is based on? Simple. The movie version just doesn't work, while the best-selling book has been published in nearly 30 countries and has been showered with more than 25 literary awards.

It makes you appreciate the Harry Potter films all the more. The first two J.K. Rowling stories were tricky books to adapt to the big screen. Due to their length and detail, they had to run at least two-and-a-half hours. Like them or not, they were never dull. Holes, by contrast, feels like an assignment. There is no wonder, magic, or charm here, even though the movie tries hard to be both wonderful, magical, and charming. Seriously, this is a flick in which we have to watch kids on a Cool Hand Luke-like chain gang for long stretches of time dig holes in the desert for a character known as "The Warden" (Sigourney Weaver). Eventually, two of the kids look to escape, which only leads to tedious episodes of the two wandering the sands looking for water and shade.

Shia LaBeouf makes his movie debut as Stanley Yelnats and seems to channel the spirit of Mark-Linn Baker in what amounts to a serviceable lead performance. Stanley is a kid who seems to constantly have bad luck thanks to a family curse that dates back over 100 hundred years. When he is sent to Camp Green Lake for being caught with a stolen pair of shoes, he meets a special kid named Zero (Khleo Thomas) who becomes his best friend.

Together, they figure out that The Warden and her two cronies, Mr. Sir (Jon Voight) and Dr. Pendanski (Tim Blake Nelson), are using juvenile delinquents as slave labor in the quest for something buried deep under the desert sands. They soon learn that it has something to do with the Old West legend of Kissin' Kate Barlow (Patricia Arquette, seen in flashback sequences), a former schoolmarm-turned-outlaw who went on a crime spree after town's folk burned her school and killed a kindly black man (Dule Hill) after she kissed him. Even better, what they are digging for may even yield clues as to how to lift the curse that has plagued the Yelnats family for decades.

This would be compelling stuff if not for the film's slow-crawl pace and sketchy characters. I was really disappointed that the various kid characters never really gelled as a group on screen. They all have colorful names like ZigZag, Armpit, X-Ray, Squid, and Magnet. But they come across as leftovers from Steven Spielberg's Lost Boys from Hook. They never capture that magic that the Harry Potter kids have managed to exude so effortlessly, to say nothing of the young casts of such fabled treasures from my childhood and adolescence as The Bad News Bears, The Goonies, or Stand by Me.

I know the book is beloved, so I am bound to have some fans of the story write me that I don't understand the appeal, especially to youngsters. My problem is not with the story, which contains some really cool messages about friendship, survival, and heart. It's with the execution by director Andrew Davis and his filmmaking team. The movie never stops looking for an identity, as witnessed in the constant switching back and forth between Joel McNeely's fine score and a soundtrack of pop tunes from such contemporary artists as Shaggy, Moby, Beck, and Eagle-Eye Cherry. And while some may praise Davis' decision to have Sachar write the screenplay based on his book, structurally the film could have benefited from a more seasoned screenwriter to transform the novel's book sensibilities to movie sensibilities.

Holes didn't work for me. But if you or your kid are a big fan of Sachar's work, you'll probably enjoy the story you know so well brought to life on the big screen. If you're not a fan and are forced to sit through this one as a favor, you may feel compelled to shot something sarcastic at the screen about halfway through just to amuse yourself. Something like ... oh, I don't know ... "They should've called it Plot Holes!"

But that would just be wrong.

Holes is rated PG for violence, mild language, and some thematic elements.


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